04.03.1979
USA, Berkeley, Zellerbach Auditorium, University of California	
Five Years Ago - Remastered	
exc. Soundboard

Total: [54:11]
01. Can't Stand Losing You [5:58]
02. Truth Hits Everybody [2:43]
03. So Lonely [6:54]
04. Fall Out [3:05]
05. Born In The 50's [4:45]
06. Hole In My Life / Fixing A Hole [3:52]
07. Be My Girl / Sally [3:25]
08. Peanuts [3:25]
09. Roxanne [8:36]
10. Landlord [2:25]
11. Next To You [3:20]
12. Can't Stand Losing You [5:39]

ORIGINAL SOURCE INFO:
Source: Sbd > Reel Master (KSAN PreFM) > DATs
Transfer: DAT 60ES > M-Audio Audiophile USB > WAV > Flac
DAT transfer: jbraveman@hotmail.com January 2005
Seeder: Barcode_Boy

Notes: Excellent sbd recording (A). I'm hesitant to give an A+ because it does sound a bit flat at times. No digital glitches, cuts or flips that I could find. No hiss or distortion. Very clean recording. Announcer at the beginning, before the encore, and after the last song. For further reference: http://www.cybercomm.nl/~gugten/s19790304.htm

A.K.A: "Live At Zellerbach," "I'M Next To You," "Police Hit"

Remastered by thir13en:
As promised, here's the work up of this very excellent Police show. I wasn't much of a fan until *cough* Synchronicity, but I enjoyed the opportunity to become a fan and have a bunch of albums to go back and experience once I realized how cool they were. These guys are a classic example of how tension and strain can create exciting music, and how solo projects beyond a successful band unit don't ever work. I've said this before, Sting has had great success commercially going it alone, but his best output by far was with the Police. His solo stuff just isn't in the same ballpark, or planet for that matter.

As our mostly quiet but active leecher Johndrake7 pointed out, this needed some work. It saw some serious processing; Slight compression>channel distinct lows and mids>a little spread>some beef and brightness from the BBE>and even more of a boost to the sub-lows and extreme highs through the multi-band compression of the digital maximization wonder that is called the L3. I know it sounds like a lot, it nedded it. But it truly sounds quite awesome now.

Some song ID's were re-focused. The DJ was cut out, so the intro and outro tracks were clipped to the beginning of the first and the end of the last song, respectively. Also the DJ before the encore was cut and the "applause" track added to the end of "Next To You". It'll give some distinction to this being a remaster as well.

zombtracker.the-zomb.com: Torrent 13906 (by HertogJan)