06.04.2001
USA, Denver, Pepsi Center
Elevated One Mile High
vg / exc. Audience

Disc 1: [1:03:50]
01. Just Can’t Get Enough (PA) [6:10]
02. Intro [1:35]
03. Elevation [3:56]
04. Beautiful Day [4:47]
05. Until The End Of The World [5:16]
06. New Year’s Day [5:18]
07. Bono Speaks [2:03]
08. Stuck In A Moment You Can’t Get Out Of [4:37]
09. Gone [4:39]
10. Discotheque / Staring At The Sun [6:07]
11. New York [5:53]
12. I Will Follow [3:14]
13. Sunday Bloody Sunday [6:02]
14. Sweetest Thing [4:13]

Disc 2: [1:08:20]
01. Band Introduction [3:09]
02. In A Little While [4:36]
03. The Ground Beneath Her Feet [2:55]
04. Bad / 40 [7:57]
05. Where The Streets Have No Name [5:56]
06. Mysterious Ways [6:15]
07. The Fly [6:18]
08. Charlton Heston Speech [4:12]
09. Bullet The Blue Sky [6:04]
10. With Or Without You [6:11]
11. One [6:25]
12. Walk On [8:22]

CDR > EAC > FLAC

Taper:  Friend of S.Z. 
Recording Equipment: Sony PCM-M1 + OKMIIr mics -> DAT(M)(32kHz)
SHN Process: -> S.V. -> Sony PCM-M1 DAT + Oade Digi Coax Cable + IDL-100 Hi-Res Digital Coax Monster Cable -> Midiman Audiophile 2496 Soundcard (SPDIF-In Clock Sync) -> WAV edit in CE2K (see below) -> CD WAVE EDITOR Track Splitting -> mkw Audio Compression Tools 0.97 BETA 1 -> SHN(M)

Comment: This is a great sounding recording of the Denver 2001 Elevation show that was recorded from a stage-side seat by a friend of S.Z. using S.Z. taping rig. The master DAT was recorded at 32kHz, so I don't believe the high end on this sparkles quite as nicely as a rig of this type is actually capable of. However, there is no annoying crowd noise, the mix is great, and the PA was right overhead, so this is really a nice, clean sounding show. 

Here is the mastering that I performed at 32bit upon receiving the master DAT from S.Z.:

- Performed a software sample rate conversion from 32kHz to 44.1kHz at the highest quality setting (999) using the pre/post filter to give the best possible conversion accuracy. Sample conversion processing time was approximately 7 hours.
- Added Fade In/Out on each disc.
- No EQ adjustment, noise reduction or level changes were performed on this recording. All of these were already just about perfect on the master DAT.